Recovery

While visiting the Chicago Botanic Garden in March of 2024, I was struck by a particular area of the Dixon Prairie -- a 15 acre re-creation of the wild prairies that covered the state of Illinois prior to 1900. Drawn to this type of Midwestern landscape, it was disconcerting to learn that of the over 21 million acres of prairie that once covered the state, today only 0.01 percent remain. The Dixon Prairie project represents several different prairie types including grasslands, native plants, savannas, and wetlands. Although each is lively and remarkable throughout the seasons, it was the wetlands that caught my eye that day.

Observing this natural habitat at the break of spring, I was able to see the remnants of the prior year's growth sitting in a thawing wet environment. The rich black earthy mounds that support the tall golden grasses and rusty reeds were exposed as a pattern of receding shapes in a pool of reflected cool blue sky. The combination of colors, textures, and patterns, as well as my wonderment at this fascinating site, lead to my recent series of work.  

I began with a few sketchbook watercolor studies to see what might happen with the subject interpreted on, fittingly, a wet ground. Raising the horizon line up to the top of the image and locating the dried native plants low on the bottom edge provided a collapsed-space perspective to house the repeating and receding dynamics of the dark mounds.

Wanting to explore the subject more robustly, I put together an assemblage of multi-color Lama Li papers on a piece of 22" x 30" unstretched canvas. I used white gesso and black ink to broadly structure the image and built textures with a variety of tools. These textures laid over the natural textures and irregularities of the paper collage provided an immediate connection to the physical presence of the wetlands and allowed the materials to catch the paint in unusual and unexpected ways. Gouache and color pencil were used to initially establish color areas before the piece was overlaid with Flashe vinyl paints.


I am now working with the same painting process but on a larger piece that also includes collage elements and printing. Currently a work in progress, the overall scale has increased to 40" x 72" and includes a stronger sense of sunlight on the water and more variation in the marshy grasses and reeds. My goal is to express my love for this captivating environment, honor the recovery efforts of these nearly vanquished ecosystems, and open my visual and visceral aperture to the infinite wisdom they contain.